Review of ODY-CY, Vol. 2 for Bounding Into Comics

Check out my review of ODY-C, Volume 2: Sons of the Wolf by Matt Fraction and Christian Ward for Bounding Into Comics! I loved the book and highly recommend it!

Review: Sex Criminals, Vol. 1: One Weird Trick

Sex Criminals, Vol. 1: One Weird Trick by Matt Fraction
My rating: 2 of 5 stars

"Sex Criminals" was a disappointment from beginning to end. Matt Fraction and Christian Ward created ODY-C, which I enjoyed quite a bit, and they've received rave reviews for Sex Criminals, so I'll admit my expectations were high, but the bar would've had to be pretty low for me to love this. On the upside, it was pretty funny, and I like its frankness and its attempt to speak to the awkwardness and shame attached to sex (especially for adolescents).

Right away I could tell the art wasn't for me. The character designs are boring and lack style, and it was hard for me to tell characters apart. The effects they use for "The Quiet" or "Cumworld," as they call it, are tacky and superficial. In general, the art is meh at best and feels cheap at worst.

Also confusing is the general story format and layout. There are at least three, maybe four storylines spread throughout time, and it's hard to tell which one is happening at any given time. When the main female character described her late teen years, it took me a while to understand it wasn't happening in the present, because she looked the same and there was no difference in the artwork to indicate it. This happens repeatedly throughout the novel, and didn't ever really get better.

Another device that didn't work for me, related to the above, is the breaking-the-fourth-wall element. The main character speaks to the reader directly. She narrates her life, with several panels devoted to her speaking 'face-to-face' with the reader (and shows up, as an adult, in scenes from her childhood). But this only happens occasionally, and wanes as the story continues, until I'm not sure why they included it at all because it only made the beginning more confusing. And again, if they had clearly demarcated with the art what was happening and when, this wouldn't have been an obstacle. I wish they had done something with the art to separate either the narrative voice from the story or the different eras from each other. Even using a larger panel at each transition to clearly establish setting. Or anything to give the reader a sense of time, location, and weight.

The story premise is ridiculous, and I wish they had taken that absurdity and run with it, because there are hints of the silly hilarity that could have ensued. The real Cumworld (a sex shop they frequent) always has laugh-out-loud worthy videos and products. (My favorite porn section: "Obamacore - socialist/medical themed.") There are innumerable puns. Some of the characters are off-the-wall, but in the fairly grounded and serious setting, all these wild elements feel tonally out of place. I get that the story is, at its core, about the relationship between these two people, but it's also a story about people who can stop time when they have sex! And there's a sex-world police force! You can keep the serious, grounded characters and still have a zany, strange world, but I think the overall effect here is that there are some really weird, strange things that are played down or played straight when they should've been played up. It's a crazy world, but no one in the story treats it that way.

As I mentioned earlier, I like the cheeky humor throughout, and I do appreciate the attempt at an allegory for teenage sexual awakening. But the latter feels pretty obvious and unsubtle, so while I like the idea behind it, it didn't stick the landing with me.

Either way, it's not that bad. I was entertained. I just don't think it was very good, and I certainly don't have any desire to read any further.

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Review: ODY-C, Vol. 1: Off to Far Ithicaa

ODY-C, Vol. 1: Off to Far Ithicaa by Matt Fraction
My rating: 4 of 5 stars

I've talked a lot recently in other reviews about the kinds of things I particularly enjoy in comics - weird narrative structure, experimental page layouts, abstract and non-representational art with bright colors - and "ODY-C" hits all those marks and more! I was hooked the moment I read the description: it's a re-telling of the Odyssey, in space, and all the characters are women. And it's such a blast!

I'm going to start with the artwork, because I've already mentioned it and because it's the most immediately striking thing about this story. The colors are incredibly vibrant and alive, and they melt into each other or clash forcefully against each other as the story demands it. Christian Ward has done an amazing job creating art that stands beautifully and powerfully on its own but also serves and uplifts the story. There is often little dialogue on a page, and the art alone tells large parts of the story. Character design (and world design) is fabulous. Most of the characters are women, but their physicality and gender presentation vary wildly (and gloriously). Hera has a beard. Zeus is large, insisting on taking up as much space as the head of the gods deserves. The characters (usually) are clear and distinct (with some exceptions, see below). Some of the character designs remind me of Moebius, which is high praise coming from me. There are almost no traditional comic panels in the story. Ward does some amazing things with concentric circle layouts that are simply stunning. The flexible and non-linear layouts add to how weird and trippy this whole story feels.

I'm enjoying the story quite a bit, too. I'll admit that it's sometimes difficult to get through, because while the overall story mirrors the Odyssey, that provides more of a general structure and many of the specifics are original (or very loose interpretations of the original story). So often, my rusty knowledge of the Odyssey is more of a hindrance than a help, because those expectations are subverted or diverted to a different direction. Other reviewers have mentioned difficulty with the language, as well, and there are times when it is hard to understand what's happening. Generally, I followed the story pretty well. There were some scenes I puzzled over, moved on, and understood in retrospect. There are others where I think I know what happened, but am genuinely not sure (though a re-read or going back to the scene would have helped). Most of the confusion stems from the combination of abstract, poetic Homeric language with sci-fi plotlines, but some also comes from the difficulty keeping track of some of the characters. Their names are often substantially changed from their original Greek, and in at least one instance I confused two of the non-Zeus gods and am still unsure who is who. The confusion and difficulty are what knocked this down from a home-run five-star story to four stars, but I suspect as the story continues (as I get used to the prose, as characters get more established, and I get myself the cliff notes for the Odyssey) this will get easier.

The characters themselves are, as in the Odyssey, not necessarily the kind of characters you warm up to, find compelling, and eagerly await their whole life story. The gods get some personality, and Fraction has given Odyssia more grounding, more personal and emotional depth than Homer ever bothered with Odysseus. Otherwise, it's a grand narrative with larger-than-life events, and with more narration than dialogue, so it's not particularly character-driven. But that's okay; that works here, because it's like the Odyssey in that regard and the story choices complement that decision.

And often, it's the small choices here that make the story great. Hera's beard - I love it. Odyssia captains her ship through literal willpower and mental synchrony with her subordinates; if anyone is not in general coordination with the rest of the crew, the ships can be thrown dangerously off course, and only Odyssia has the force of will to command the ship. Fraction mirrors the Odyssey by frequently using wolf metaphors to refer to Odyssia. Circe is a space pirate. The jealousy and pettiness of the gods (though certainly not unique to this telling) was delightful. There's a lot to love in the small moments, and it shows that Fraction and Ward know how to tell a good story.

The concept itself is pretty great, and Fraction has woven a neat little SF premise into the story beyond the whole 'set in space' conceit. Zeus has cursed humans and made it so no male creature can exist. Humans are trying to get around this in various ways - gender-neutral people, and one old man creepily tries to father sons on young woman after young woman - and it appears that Odyssia's child, as in the Odyssey, is a young man. I'm excited to see where that plotline will go, because it's such a clear departure from the original text. I'm excited to read more of this in general, and I definitely recommend it if you want an SF comic that's both a challenge and a delight.

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